https://doi.org/10.1080/09298215.2019.1703013
...artistic research, which implies that knowledge and understanding is primarily gathered through artistic practice (Lüneburg, 2018).
Usually, the concept of ‘composing with space’ is understood as the purposeful positioning or movement of a sound event in a plane or three-dimensional space. My reflections are also concerned with the distribution of sound events in space, but here one important feature is that this spatial configuration can be experienced in a virtual space through performers’ movements.
If we want to enable the performers to experience virtuality as a place into which they are intensely embedded, it is important to design its digital realisation – also referred to as perceptually seductive technology (Waterworth, 2001)–in a way that enables the experience of presence. Parallels to the experience of the real world form the starting point for this.